Category Archives: Makers

Perfume – Voice

I always get stoked when new Perfume singles and PVs come out. I love these girls and their videos are usually really creative. This one is super charming.

Donald Judd Complete Writings

So glad to finally own this. One of my favorite writers. Best art writer, period.

“Here’s How to Tell If You’re Misusing Grandients”

“heres how to tell if you are misusing gradients
replace it with a solid color
if it looks better, you are wrong”

Jaime Van Wart tellin’ like it is over AIM.

Sebastiaan Bremer

Sebastiaan Bremer‘s photos of the Alps (I believe) with drips of ink and acrylic are quite good. The photos themselves are remarkable already; the colors (the “Divine Spark” of the series’ title?) add a sort of abstractness and→

“A country, finally, erodes and the dust blows away…”

“A country, finally, erodes and the dust blows away, the people all die and none of them were of any importance permanently, except those who practised the arts, and these now wish to cease their work because it is too

Two Dumbs Etsy Shop Now Open

If you love typography, go to The Two Dumbs Etsy Shop right away to snag some affordable, excellent typographic posters. Jaime Van Wart and Critter put together a collection of prints that is elegant, balanced, and→

Paul Ibou on inconofgraphics

Uh…AMAZING. Never heard of Paul Ibou until Grain Edit mentioned a bio of him now on iconofgraphics.com. The sample of his work shows masterful use of few elements to create nonetheless visually rich symbols. His→

Rabbit Tables by Studio Juju

File under: things you can buy for me. Rabbit Tables from Studio Juju. Actually, I’ll gladly take anything they’ve created.

Images via http://studio-juju.com

The Super Normal Object

“The super normal object is the result of a long tradition of evolutionary advancement in the shape of everyday things, not attempting to break with the history of form but rather trying to summarise it…”

–Jasper Morrison, Super Normal

Irving Harper in the NYT

“With a computer there are too many choices, and I always liked working within limits,” he said. “You know, if you look at Mozart, who had this strict classical framework — an allegro, an andante, a scherzo and a finale